Asake “‘2:30” Song Review

Asake’s new song “2:30” celebrates authenticity and individuality, with an upbeat tempo and vibrant energy that testifies to the Nigerian artist’s talent for blending various musical styles into something completely new. The song’s dreamy Afrobeats blend seamlessly with IDM-influenced percussion, resulting in a rich tapestry of textures that is both familiar and thrilling.

The track’s lyrics, which emphasize the importance of accepting one’s real self, demonstrate Asake’s ability to create relatable, catchy hooks. Lines such as “Ere moba wa kosi ja/Shokoto pen pe, ye/Ayenika, yebo, yeba” are delivered with a rhythmic precision that compliments the music’s pulsing beat flawlessly.

The music video for “2:30,” directed by Edgar Esteves and filmed in Los Angeles, showcases Asake’s distinct musical style and approach. Everything about the visuals speaks to the artist’s individuality and ingenuity, from the colorful wardrobe he sifts through to the crystal-studded sandals he sports by the pool.

Asake’s meteoric ascent to fame has been nothing short of spectacular, with his debut album Mr. Money With The Vibes breaking records and garnering critical praise worldwide. The singer’s ability to blend various musical styles into something completely new has earned him legions of admirers, and his newest single is proof of his ongoing growth and creativity.

Asake discussed his music and what motivates him in an interview with Rolling Stone. “My music is about life in general,” he explains. “I grew up in a dangerous neighborhood, a neighborhood where everyone gets up early to hustle for their daily meals.” It taught me how to live in both happy and bad times. So I use my real-life experiences to encourage anyone who believes their current reality is permanent; I want them to recall that there is always light at the end of the tunnel.”

Asake’s latest single exemplifies this theme of hope and positivity. “2:30” is a testament to the Nigerian artist’s unique talent and vision, with catchy hooks, infectious rhythms, and celebratory lyrics.